Voy a modificar la subida de libros, en principio voy a ir pasando solo lo que leo y creo que aporta algo, paso algunos datos y comentarios (según mi humilde criterio) como para tener alguna idea si vale la pena bajarlo
Idioma : inglés
Autor : Derek Doeffinger
Pág : +/- 250
Tema : atraviesa las diferentes velocidades de exposición en forma detallada en base a su experiencia, con ejemplos interesantes, pasa revista algunos temas básicos y es un fana del blur y del paneo, algunas de sus fotos yo no me animaría a postearlas.
Nivel : principiante avanzado /intermedio
Me pareció : f:5.6
(se me ocurrió calificar 2.8 el que no podés dejar de leer, 4.0 el que está muy bueno, 5.6 este, leible/interesante, y 8.0 el que después de leerlo no lo volvería abrir nunca para consultar algo)
link:http://www.megaupload.com/?d=851Z6E19ContentsChapter 1 Tap the Power of Every Shutter Speed ......................................1
1/8000 Second—the shutter speed of NASA .......................................5
1/4000 Second—the shutter speed of NASCAR ..................................6
1/2000 Second—the optimal fast shutter speed ....................................8
1/1000 Second—a former record holder .............................................10
1/500 Second—a nostalgic favorite .....................................................12
1/250 Second—the all-purpose shutter speed .....................................17
1/125 Second—for the scenic shooter .................................................18
1/60 Second—when the light dims it shines .......................................20
1/30 Second—the optimal slow shutter speed ....................................23
1/15 Second—where subjects blur themselves ....................................26
1/8 Second—the blessing of the blur ...................................................28
1/4 Second—the poet laureate of motion pictures ..............................32
1/2 Second—where writing with light becomes reality ......................35
1 Second—breaking the time barrier ..................................................37
1 Minute—reenact exposures of the “ancients” ..................................41
8 Hours—put your camera on the “C” shift ........................................45
Nano Time—the hidden world of ultra-speed electronic fl ash ...........48
Chapter 2 Understanding Shutter Speed and Exposure ..........................49
How the shutter works .........................................................................52
About exposure ....................................................................................55
Camera controls for regulating exposure .............................................59
From good to great exposure ................................................................60
Anatomy of a good exposure ..............................................................61
Anatomy of a bad exposure .................................................................62
ISO setting—your secret weapon ........................................................63
Determining the correct exposure .......................................................65
Matching metering modes to scenes....................................................66
Center-weight ...................................................................................68
Averaging .........................................................................................68
Matrix ..............................................................................................69
Spot ..................................................................................................70
Evaluating pictures as you take them ..................................................71
Evaluating visual image quality on the LCD .......................................71
Evaluating technical exposure with the histogram .............................73
Balancing shutter speed and depth of fi eld .........................................76
Equivalent exposure values ..................................................................77
Finding a way to get the shutter speed you want .................................80
White balance ......................................................................................82
Exposure rules of thumb .......................................................................87
Adjusting exposure for light type ........................................................89
Adjusting exposure for tricky lighting conditions ...............................89
Front lighting ....................................................................................90
Sidelighting ........................................................................................91
Backlighting ......................................................................................92
Extra-bright subjects ..........................................................................93
Extra-dark subjects ............................................................................95
Chapter 3 How I Took These Pictures ........................................................97
County Fairs—Mania on the Midway ...............................................102
Curtains Lifted by a Summer Breeze .................................................105
Swimmers—Half-Triathlon ...............................................................107
Stunt Rider at the State Fair .............................................................109
Perfect Timing for the Perfect Pose ...................................................111
The Planned Picture ..........................................................................114
Boredom—the Great Creation Motivator ........................................115
Luck, Not Skill...................................................................................116
Everyday Life—in Peru ......................................................................119
Balloons Away ...................................................................................122
Chapter 4 Tools and Controls to Exploit Shutter Speed .......................125
The camera you need is a dSLR ........................................................127
But let a snapshot camera tag along ..................................................129
Controls that put you in the right mode ...........................................130
Exposure modes ..................................................................................131
ISO control ........................................................................................135
Exposure compensation .....................................................................137
Bracketing mode ................................................................................139
Focus controls ....................................................................................141
Single Servo focus mode ..................................................................141
Continuous Servo focus mode ..........................................................142
Manual focus mode .........................................................................143
Trap focus mode ..............................................................................143
Rapid picture-taking .........................................................................144
File format ..........................................................................................146
Mirror lockup and exposure delay .....................................................149
Accessories for motion techniques ....................................................150
Lenses .............................................................................................150
Sport lenses .....................................................................................151
Image-stabilized lenses .....................................................................152
Neutral density fi lters ......................................................................154
Polarizing fi lters ..............................................................................156
Memory cards .................................................................................158
Monopods and tripods .....................................................................158
Shutter release devices .....................................................................160
Electronic fl ash ................................................................................161
Image-adjustment software ..............................................................162
Chapter 5 Stopping the Action ..................................................................165
Everyday shutter speeds .....................................................................168
Fast shutter speeds ..............................................................................170
Timing your shots ...............................................................................174
Determining a stop-action shutter speed ...........................................178
Other variables important to stopping motion ...................................179
Action sequences—the art of static action .......................................183
Taking pictures from moving vehicles ...............................................186
Shutter speeds for sharp pictures while handholding the camera .....190
How to fi nd your personal steadiness shutter speed ..........................191
Testing handheld, non-image-stabilized lenses ...................................192
Testing stabilized lenses ....................................................................193
View the images in Photoshop ..........................................................194
Taking sharp pictures at questionable shutter speeds ........................195
Handholding? Take lots of pictures. Fast. ........................................195
Use the RAW fi le format and underexpose .......................................196
Pull out the stabilized lens ................................................................196
Find a perch to support your camera ................................................197
Direction of action ...........................................................................198
Wait for the action to pause .............................................................198
Wait for peak motion ......................................................................198
Chapter 6 Shake, Rattle, and Roll your Camera .....................................199
Pantastic panning ..............................................................................202
The background of blur .....................................................................204
Rev up the blur for expressionistic panning ......................................205
A gallery of panning ..........................................................................207
Zooming .............................................................................................213
Camera and subject are still—everything else moves .......................216
Camera held still—subject in motion ...............................................220
Running, jumping, spinning, and twisting with the camera .............222
Shooting blur shots from the car .......................................................225
Camera tossers—only centerfi elders need apply ...............................227
Composition on the fl y ......................................................................229
Improving composition when the action picks up ............................231
Low angle versus high angle ..............................................................233
Composition—positioning the subject in the frame .........................235
Composition—sizing the subject .......................................................238
Composition and subject direction ...................................................241
Moving toward you .........................................................................242
Crossing in front of you ...................................................................242
Taking the diagonal route .................................................................242
Glossary ...243
Index ...251
un abrazo
quique
